{"id":6831,"date":"2019-03-08T17:27:17","date_gmt":"2019-03-08T16:27:17","guid":{"rendered":"https:\/\/powerofrhythm.com\/?page_id=6831"},"modified":"2020-10-25T00:38:37","modified_gmt":"2020-10-24T22:38:37","slug":"megadrums","status":"publish","type":"page","link":"https:\/\/powerofrhythm.com\/pt-br\/megadrums\/","title":{"rendered":"MegaDrums"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” admin_label=”Page Header” _builder_version=”4.5.3″ background_image=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/megadrums-3-e1565133666264.jpg” parallax=”on” bottom_divider_height=”35px” locked=”off”][et_pb_fullwidth_header title=”MegaDrums” text_orientation=”center” header_fullscreen=”on” button_one_url=”#” button_two_url=”#” background_overlay_color=”rgba(0,0,0,0.4)” content_tablet=”” content_phone=”<\/p>\n

MegaDrums is a global music project, combining the artistry of some of the finest musicians of our time.<\/h3>\n

Founded by Reinhard Flatischler in 1986, MegaDrums soon became an important innovator in world percussion music.<\/h3>\n

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MEGADRUMS \u00e9 um projeto de m\u00fasica global, combinando a arte dos melhores m\u00fasicos do nosso tempo. Fundada por Reinhard Flatischler em 1986, MegaDrums logo se tornou um marco na m\u00fasica de percuss\u00e3o mundial.<\/h3>\n

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O PROJETO<\/h2>\n

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MegaDrums – h\u00e1 mais de 22 anos, esse nome tem sido sin\u00f4nimo de uma experi\u00eancia musical excepcional para ouvintes e artistas.\u00a0A m\u00fasica de Reinhard Flatischler permite a improvisa\u00e7\u00e3o al\u00e9m das linhas estruturais definidas das composi\u00e7\u00f5es.Mudar de predeterminado para espont\u00e2neo \u00e9 uma caracter\u00edstica importante do conceito MegaDrums, dando ao projeto tanto const\u00e2ncia musical quanto uma riqueza de inova\u00e7\u00f5es, permitindo o espa\u00e7o para cada m\u00fasico apresentar sua personalidade.<\/p>\n

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Estes crit\u00e9rios s\u00e3o t\u00e3o exigentes que apenas os melhores s\u00e3o capazes de satisfaz\u00ea-los: arquitetura musical complexa, por um lado, e liberdade criativa, por outro lado, o desafio de ser livre do pano de fundo da experi\u00eancia musical anterior, a fim de come\u00e7ar em um nova jornada. Isso ilustra por que o MegaDrums se tornou um f\u00f3rum para bateristas mestres.\u00a0O resultado \u00e9 um tipo de m\u00fasica que \u00e9 inconfund\u00edvel em seu car\u00e1ter.<\/p>\n

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M\u00fasicos e Grupos<\/h2>\n

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REINHARD FLATISCHLER\u00a0(\u00c1ustria)<\/h4>\n

Compositor, Lead-Percussionist<\/h6>\n
Born em Viena em 1950, estudos cl\u00e1ssicos na Vienna Music University; fundador da teoria do ritmo de TaKeTiNa. Com sua m\u00fasica e ensino, Flatischler mudou fundamentalmente a cena musical moderna, tornando-se um dos novos sons mais populares de composi\u00e7\u00e3o e inova\u00e7\u00e3o. A m\u00eddia o descreve repetidamente como o \u201cembaixador da linguagem global do ritmo\u201d. As publica\u00e7\u00f5es de Flatischler (por exemplo, \u201cRhythm for Evolution\u201d, Schott) s\u00e3o consideradas padr\u00f5es na literatura musical.<\/div>\n

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AIRTO MOREIRA\u00a0(Brasil\/EUA)<\/h4>\n

Drumset, Percuss\u00e3o, Vocal<\/h6>\n
Airto Moreira, v\u00e1rias vezes premiado como “Melhor Percussionista”, j\u00e1 trabalhou com Miles Davis, Chick Corea, Paul Simon, Carlos Santana, Herbie Hancock, George Benson, Chicago e Chaka Khan entre outros. A m\u00fasica de Airto teve um impacto t\u00e3o forte na m\u00eddia que a revista “Downbeat” criou “Percussion” como uma nova categoria. Ele \u00e9 considerado o “pai da percuss\u00e3o”.<\/div>\n

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ZAKIR HUSSAIN\u00a0(\u00cdndia\/EUA)<\/h4>\n

Tabla, Percuss\u00e3o<\/h6>\n
Ustad Zakir Hussain, filho do lend\u00e1rio mestre de tabla Ustad Alla Rakha, foi premiado por suas excepcionais conquistas musicais, com pr\u00eamios como “Indo-American Award” e “Sangeet Natak Academy Award”. Ele fez hist\u00f3ria musical em muitos projetos como: “Shakti” com John McLaughlin e L.Shankar. Suas grava\u00e7\u00f5es e performances com George Harrison, Joe Henderson, Jack Morrison, Jack Bruce, Hong Kong Symphony Orchestra (entre outros) assim como as trilhas sonoras de “Little Buddha” de Bertolucci e “In Custody” de Ismail Merchant estabelecem firmemente sua quebra de fronteiras reputa\u00e7\u00e3o.<\/div>\n

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MILTON CARDONA\u00a0(Puerto Rico)<\/h4>\n

Bata and Conga<\/h6>\n
Milton Cardona fizeram bem mais de 1000 grava\u00e7\u00f5es, nove das quais ganharam Grammies. Sua carreira foi altamente influenciada por Mongo Santamaria. Ele estudou violino durante sua inf\u00e2ncia no Bronx, em Nova York, e tocou baixo profissionalmente em Nova York quando jovem, antes de tocar percuss\u00e3o. Ele colaborou com Kip Hanrahan, Spike Lee, Paul Simon, Willie Col\u00f3n, David Byrne, Cachau, Larry Harlow, Eddie Palmieri, Don Byron, Celia Cruz, Guaco, H\u00e9ctor Lavoe, Ned Rothenberg, Rabih Abou-Khalil e Jack Bruce do banda de rock Cream. Ele morreu em 19 de setembro de 2014, de insufici\u00eancia card\u00edaca.<\/div>\n

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LEONARD ETO\u00a0(Jap\u00e3o)<\/h4>\n

Oke-Taiko, Shime-Taiko, O-Taiko<\/h6>\n
Leonard Eto foi o l\u00edder de longa data do famoso grupo japon\u00eas Kodo Drum. Sua atua\u00e7\u00e3o integrou a arte de Taiko em um contexto moderno. Suas colabora\u00e7\u00f5es com Max Roach, Elvin Jones e os bateristas do Burundi se tornaram marcos na hist\u00f3ria da m\u00fasica.<\/div>\n

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GLEN VELEZ\u00a0(EUA)<\/h4>\n

Frame Velvet, Percussion, Vocals<\/h6>\n
Glen Velez \u00e9 um dos bateristas de frame mais conhecidos do nosso tempo. Ele j\u00e1 tocou com Steve Reich e tamb\u00e9m foi membro do Paul Winter Consort. De acordo com o New York Times, “Glen Velez combina um sentido de propor\u00e7\u00e3o ocidental com a improvisa\u00e7\u00e3o n\u00e3o ocidental e a profundidade meditativa”.<\/div>\n

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STEPHEN KENT\u00a0(EUA)<\/h4>\n

Didgeridoo, Percuss\u00e3o<\/h6>\n
No in\u00edcio dos anos 80, Stephen Kent entrou em contato com os abor\u00edgines australianos e seu instrumento, o didgeridoo. Inspirado pela ideia de integrar seu som evocativo em seu trabalho, Stephen desenvolveu seu pr\u00f3prio estilo inconfund\u00edvel. Tanto em projetos solo quanto em colabora\u00e7\u00e3o com Youssou N’Dour, Zap Mama, Herbie Hancock e Wayne Shorter, ele estabeleceu uma reputa\u00e7\u00e3o como um virtuoso inovador no didgeridoo.<\/div>\n

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WOLFGANG PUSCHNIG\u00a0(\u00c1ustria)<\/h4>\n

Alto Saxofone, Flauta, Ken<\/h6>\n
O saxofonista e flautista de forma\u00e7\u00e3o cl\u00e1ssica Wolfgang Puschnig estudou intensivamente a cultura musical asi\u00e1tica e afro-americana. Ele ganhou reconhecimento nos EUA atrav\u00e9s de sua colabora\u00e7\u00e3o com Carla Bley, Steve Swallow e Jamaladeen Tacuma, enquanto projetos na Europa como Red Sun & Samul Nori e a Vienna Art Orchestra criaram uma sensa\u00e7\u00e3o. Puschnig \u00e9 o \u00fanico m\u00fasico aqui apresentado que trabalhou em todas as turn\u00eas do MegaDrums. Sua t\u00e9cnica \u00fanica de vento influenciou enormemente a m\u00fasica dos MegaDrums.<\/div>\n

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AJA ADDY<\/h4>\n

O baterista mestre<\/h6>\n
Aja Addy \u00e9 um baterista experiente de Gana. Ele aprendeu a tambor e a dan\u00e7ar de seu pai quando era menino. Em seus shows hoje ele toca m\u00fasicas de onde ele cresceu, v\u00e1rias aldeias na regi\u00e3o da Grande Accra.<\/div>\n

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VALERIE NARANJO<\/h4>\n

Cantora e marimba<\/h6>\n
Conhecida por seus esfor\u00e7os pioneiros na m\u00fasica de percuss\u00e3o de teclado da \u00c1frica Ocidental, Valeri Naranjo \u00e9 originalmente do sul do Colorado. Mudou-se para Nova York depois de completar os estudos em educa\u00e7\u00e3o musical vocal e instrumental (University of Oklahoma) e Percussion Performance (Ithaca College). Em 1988, a interpreta\u00e7\u00e3o do repert\u00f3rio tradicional do gyil no Festival Kobine de M\u00fasica Tradicional do Gana levou \u00e0 declara\u00e7\u00e3o de um decreto principal na na\u00e7\u00e3o de Dagara, permitindo que as mulheres tocassem o instrumento pela primeira vez.<\/div>\n

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SAMUL NORI<\/h4>\n

O mundialmente famoso grupo de tambor coreano<\/h6>\n
Os tradicionais instrumentos coreanos s\u00e3o chamados pungmul. Samul nori tem suas ra\u00edzes em Pungmul nori (literalmente “instrumentos de percuss\u00e3o tradicionais coreanos tocando”), um g\u00eanero folcl\u00f3rico coreano que inclui m\u00fasica, acrobacia, dan\u00e7a folcl\u00f3rica e rituais. Era tradicionalmente realizado em aldeias de cultivo de arroz, a fim de garantir e comemorar boas colheitas. Como o povo coreano era, at\u00e9 os tempos modernos, mais de 90% em trabalhos relacionados a fazendas, essa m\u00fasica definia a m\u00fasica folcl\u00f3rica coreana ou a m\u00fasica e as rimas populares da Cor\u00e9ia.<\/div>\n

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SUAR AGUNG<\/h4>\n

Um grupo de Gamelan de bambu balin\u00eas tradicional<\/h6>\n
Jegog Suar Agung \u00e9 um conjunto de percuss\u00e3o de bambu de Bali. Jegog \u00e9 um tipo de m\u00fasica balinesa usando catorze xilofones de bambu gigantes. A m\u00fasica Jegog \u00e9 origin\u00e1ria da regi\u00e3o ocidental de Jembrana, em Bali, em particular um n\u00famero de aldeias ao redor da cidade capital de Jembrana, Negara.<\/div>\n

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PANDIT ARJUN SHEJWAL<\/h4>\n

Um dos mais destacados mestres pakhawaj de todos os tempos<\/h6>\n
A g\u00eanese e a evolu\u00e7\u00e3o de pakhawaj est\u00e3o envoltas nas brumas da antiguidade. Por todas as contas, \u00e9 considerado o mais antigo dos instrumentos de percuss\u00e3o indianos. Tem sido um instrumento de percuss\u00e3o altamente desenvolvido desde tempos imemoriais. A precis\u00e3o de seu tom e a variedade de seu tom n\u00e3o t\u00eam paralelo em qualquer lugar da esfera mais ampla da m\u00fasica de percuss\u00e3o mundial.<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.22″][et_pb_fullwidth_slider admin_label=”Slider megaDrums black white” module_class=”slider_left” _builder_version=”3.19.17″ custom_margin=”|||” auto=”on” auto_speed=”5000″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][et_pb_slide use_bg_overlay=”off” use_text_overlay=”off” admin_title=”Slide 1 (kopieren f\u00fcr weiteren Slide)” _builder_version=”3.19.17″ header_font=”|||on|||||” header_font_size=”28px” body_font=”|300|||||||” background_color=”rgba(126,190,197,0)” use_background_color_gradient=”on” background_color_gradient_start=”rgba(255,255,255,0)” background_color_gradient_end=”rgba(0,0,0,0.8)” background_color_gradient_direction=”115deg” background_color_gradient_overlays_image=”on” background_image=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/megadrumsBW.jpg” parallax=”on” button_on_hover=”on” custom_padding=”|||” custom_padding_tablet=”|||” custom_padding_phone=”|||” header_font_size_tablet=”28px” header_font_size_phone=”28px” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ module_class=”heading” _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline Albums” module_class=”heading__title” _builder_version=”3.27.4″]<\/p>\n

CDs<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/terranova.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text terra nova” _builder_version=”3.27.4″]<\/p>\n

\u00a0<\/h4>\n

TERRA NOVA<\/h4>\n

MegaDrums \u00a0.\u00a0 2000<\/h6>\n
“Na mais recente produ\u00e7\u00e3o ‘Terra Nova’, Flatischler toca com Cornelia, Wolfgang Puschnig, Velez Glenez, Airto Moreira, Leonard Eto e Stephen Kent. N\u00e3o h\u00e1 apenas um incr\u00edvel virtuosismo se desdobrando quando esses m\u00fasicos tocam juntos, h\u00e1 tamb\u00e9m a grande composi\u00e7\u00f5es e a excelente qualidade de som que torna este CD t\u00e3o maravilhoso de se ouvir. ” (Callasong.de)<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/THEWORLDISFULLOFRHYTHM.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text full of rhythm” _builder_version=”3.27.4″]<\/p>\n

\u00a0<\/h4>\n

THE WORLD IS FULL OF RHYTHMS<\/h4>\n

MegaDrums \u00a0.\u00a0 1999<\/h6>\n
‘The World is Full of Rhythms’ \u00e9 uma compila\u00e7\u00e3o dos melhores momentos musicais de 15 anos de tours MegaDrums (1984-1999) ‘O mundo \u00e9 cheio de ritmos’ \u00e9 uma das obras mais brilhantes da hist\u00f3ria da m\u00fasica de percuss\u00e3o e certamente Obra-prima de Flatischler. (www.discover.de)<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/LAYERSOFTIME.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text layers of time” _builder_version=”3.27.4″]<\/p>\n

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LAYERS OF TIME<\/h4>\n

MegaDrums \u00a0.\u00a0 1995<\/h6>\n
‘Layers of time’ \u00e9 a produ\u00e7\u00e3o de best-seller de Megadrums. Flatischler reuniu uma lista incr\u00edvel de alguns dos melhores m\u00fasicos do nosso tempo: Airto Moreira, Zakir Hussain, Glen Velez, Leonard Eto da KODO, Milton Cardona, Stephen Kent, Valerie Naranjo e Wolfgang Pusching que a imprensa celebrou esta turn\u00ea e o CD resultante como um marco na m\u00fasica de percuss\u00e3o.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/KETU.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text ketu” _builder_version=”3.27.4″]<\/p>\n

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KETU<\/h4>\n

MegaDrums \u00a0.\u00a0 1993<\/h6>\n
Pela primeira vez, Flatischler combina uma orquestra de gamel\u00e3o completa com m\u00fasicos de jazz e bateristas de todo o mundo. Para poder compor e organizar esse grupo, Flatischler estudou intensivamente todos os diferentes instrumentos da orquestra balinesa.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/TRANSFORMATION.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text transformation” _builder_version=”3.27.4″]<\/p>\n

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TRANSFORMATION<\/h4>\n

MegaDrums \u00a0.\u00a0 1990<\/h6>\n
A \u00faltima produ\u00e7\u00e3o com Aja Addy, o lend\u00e1rio baterista falante de Gana, que morreu em 2002. Leonard Eto, (membro do grupo “Kodo”, taiko), Jap\u00e3o; Milton Cardona (congas, bata), EUA; Aja Addy (dondo), Gana; Reinhard Flatischler (buk, gongos, tabla), \u00c1ustria; Wolfgang Puschnig (saxofone, flauta), \u00c1ustria; o Megadrums Percussion Ensemble.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/COREANA.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text coreana” _builder_version=”3.27.4″]<\/p>\n

\u00a0<\/h4>\n

COREANA<\/h4>\n

MegaDrums \u00a0.\u00a0 1987<\/h6>\n
“O ritmo se destaca do papel do acompanhamento e se torna a for\u00e7a motriz da composi\u00e7\u00e3o musical – uma mensagem importante para o jazz.” (F\u00f3rum de Jazz). Uma das poucas produ\u00e7\u00f5es com o grupo Samulnori original da Cor\u00e9ia: Samulnori (changgo, buk, ching, kwenggari), Cor\u00e9ia; Aja Addy (dondo), Gana; Dudu Tucci (conga, percuss\u00e3o brasileira), Brasil; Wolfgang Puschnig (saxofone, flauta), \u00c1ustria; Reinhard Flatischler (changgo, rantang, buk), \u00c1ustria; o Megadrums Percussion Ensemble.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ column_structure=”1_3,2_3″][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/SCHINORE.jpg” show_in_lightbox=”on” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text schinore” _builder_version=”3.27.4″]<\/p>\n

\u00a0<\/h4>\n

SCHINORE<\/h4>\n

MegaDrums \u00a0.\u00a0 1986<\/h6>\n
O primeiro \u00e1lbum de Flatischler se tornou lend\u00e1rio. Inclui Pandit Arjun Shejwal, um dos maiores mestres do tambor pakhawaj indiano. Pandit Arjun Shejwal morreu em 1992.Pandit Arjun Shejwal (pakhawaj), \u00cdndia; Dudu Tucci (congas), Brasil; Reinhard Flatischler (changgo, tabla), \u00c1ustria; Wolfgang Puschnig (saxofone, flauta), \u00c1ustria; O conjunto de percuss\u00e3o Megadrums.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ module_class=”heading” _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline Impressions” module_class=”heading__title” _builder_version=”3.27.4″]<\/p>\n

Impress\u00f5es<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”3.25″ width=”100%” max_width=”100%” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”5695,5687,5663,5655,5671,5651,5643,5659,5675,5683,5647,5667,5639,5679,5635,5691″ posts_number=”16″ show_title_and_caption=”off” show_pagination=”off” zoom_icon_color=”#c87c25″ hover_overlay_color=”rgba(0,0,0,0.4)” hover_icon=”%%51%%” admin_label=”Gallery ” module_class=”por-image-gallery” _builder_version=”3.19.18″ max_width=”99%” module_alignment=”center” border_radii_image=”on|1px|1px|1px|1px” border_width_all_image=”2px” border_color_all_image=”#ffffff” box_shadow_style_image=”preset1″ box_shadow_vertical_image=”0px” box_shadow_blur_image=”0px” saved_tabs=”all”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” admin_label=”Page Header” _builder_version=”4.5.3″ background_image=”https:\/\/powerofrhythm.com\/wp-content\/uploads\/2019\/02\/megadrums-3-e1565133666264.jpg” parallax=”on” bottom_divider_height=”35px” locked=”off”][et_pb_fullwidth_header title=”MegaDrums” text_orientation=”center” header_fullscreen=”on” button_one_url=”#” button_two_url=”#” background_overlay_color=”rgba(0,0,0,0.4)” content_tablet=”” content_phone=” MegaDrums is a global music project, combining the artistry of some of the finest musicians of our time. Founded by Reinhard Flatischler in 1986, MegaDrums soon became an important innovator in world percussion music. ” content_last_edited=”on|phone” admin_label=”Hero […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/pages\/6831"}],"collection":[{"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/comments?post=6831"}],"version-history":[{"count":0,"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/pages\/6831\/revisions"}],"wp:attachment":[{"href":"https:\/\/powerofrhythm.com\/pt-br\/wp-json\/wp\/v2\/media?parent=6831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}